D16 group need to chage copy protection of all your produts
D16 group need to chage copy protection of all your produts
hello i´m very sad
becose if i do a bitorrent search on google ,and i see all your products warized .
why don´t change your copy protection , becose i like exclusivity of plugin i pay and your team lost a loot of money .
now you go to release news AU OSX version of your plugins ,do right copy protection an you win
becose if i do a bitorrent search on google ,and i see all your products warized .
why don´t change your copy protection , becose i like exclusivity of plugin i pay and your team lost a loot of money .
now you go to release news AU OSX version of your plugins ,do right copy protection an you win
- Sebastian@d16
- Posts: 1526
- Joined: Tue Nov 07, 2006 9:20 pm
- Location: Katowice/Poland
Hi,
The choosing protection method is a compromise between costs, protection efficiency and customer's comfort. The only proctection at the moment, which guarantees it won't be broken is syncrosoft. However we know customers who are forced to use it complain about it. Every company has its own USB dongle, and that makes You to use usb hub or something else attached to Your computer set.
The other methods of protection only gives a product few days more, that's all.
Making our products protected by syncrosoft, we'd had to raise prices up because of that.
We take an example of companies such as Apple or Cakewalk, they protect their product only with serials.
It's just a matter of people who use the products, if they apprieciate work we put in making our plug-ins, they show it by purchasing them. And we thank You for that guys.
Best regards,
Sebastian
The choosing protection method is a compromise between costs, protection efficiency and customer's comfort. The only proctection at the moment, which guarantees it won't be broken is syncrosoft. However we know customers who are forced to use it complain about it. Every company has its own USB dongle, and that makes You to use usb hub or something else attached to Your computer set.
The other methods of protection only gives a product few days more, that's all.
Making our products protected by syncrosoft, we'd had to raise prices up because of that.
We take an example of companies such as Apple or Cakewalk, they protect their product only with serials.
It's just a matter of people who use the products, if they apprieciate work we put in making our plug-ins, they show it by purchasing them. And we thank You for that guys.
Best regards,
Sebastian
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Absolutely. I would even go as far to say that I would have not ended up purchasing D16 plugs without the hasslefree authorization setup, a big bonus IMHO.
When I play gigs I already have a FW400 interface and a FW800 external drive running. Putting a dongle on top of that.. huh, I guess I could somehow manage but it'd be a real pain.
For fixed studio DAW's, it's not a problem using USB-hubs and the like for the zillion dongles out there.. but for compact portable gig machines it's a no-no.
When I play gigs I already have a FW400 interface and a FW800 external drive running. Putting a dongle on top of that.. huh, I guess I could somehow manage but it'd be a real pain.
For fixed studio DAW's, it's not a problem using USB-hubs and the like for the zillion dongles out there.. but for compact portable gig machines it's a no-no.
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- Sebastian@d16
- Posts: 1526
- Joined: Tue Nov 07, 2006 9:20 pm
- Location: Katowice/Poland
The software is already priced so cheap that it doesn't make any sense to hack it I think. There will always be *some* lowlifes that never use anything genuine but there is no way to reach them with common sense. I think it would be a big headache for many (including me) to being forced to use some nonsense and breakable dongle device.
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That's so true; the last thing you need is to get to a gig and find you've forgotten your dongle or encounter the typical last minute USB device not recognised issuesgazt wrote:liquid..I agree..I´m not so interested in buying something with more syncrosoft dongles.
dongles might be good as copy protection but they suck big time when you travel a lot with your equipment.
What goes around comes around though; I admit to have used a few "borrowed" applications in the past but that's what got me into music making and now I own all of my software and support the developers that have created it.
So; if it wasn't for the Warez scene companies would not have me as a client now and there must be many more people like me out there - see my point?
Paul "Dust" Massey